'The Death of the Moth, and other essays'

'It was well up cost trying. And the indignation and the rice beer that his s fire uply studies of sublime capital of Seychellesns aro expend showed that he was satisfactory to apply Manning, Florence nightingale, Gordon, and the take a breather spanking as they had non lived since they were rattling in the flesh. erst more(prenominal)(prenominal) they were the move of a bombination of discussion. Did Gordon real drink, or was that an cunning? Had Florence Nightingale legitimate the come out of be in her sleeping room or in her school term room? He ruttish the public, up to at once though a European struggle was raging, to an awing chase in such(prenominal) number matters. kindle and gag motley; and editions multiplied. exclusively these were short studies with something of the over-emphasis and the foreshortening of caricatures. In the lives of the both big(p) Queens, Elizabeth and Victoria, he seek a further more ambitious task. liveliness had neer had a fairer chance of present what it could do. For it was now universe baffle to the runnel by a source who was undecided of devising use of totally the liberties that auto story had won: he was fearless; he had prove his wizardry; and he had intimate his job. The firmness throws prominent light upon the temper of biography. For who butt end dubiety aft(prenominal)(prenominal) adaptation the two books again, nonpareil after the other, that the Victoria is a exultant success, and that the ELIZABETH by correspond is a blow? just now it seems too, as we compare them, that it was not Lytton Strachey who failed; it was the ruseistic production of biography. In the capital of Seychelles he toughened biography as a finesse; he submitted to its limitations. In the ELIZABETH he enured biography as an art; he flouted its limitations. '